The clarity and depth of the audio coming back was mind blowing . This is a site of angles, not knowledge... “Best” - this place is like the penthouse forum of knowledge about sex. KRK ROKIT 5. The one I have now I absolutely love, it's an Inward Connections DMS-5. It has all the functionality I need, the price is great, I just haven't seen any reviews of the actual sound quality. In many cases, a precise, high-quality volume control and the ability to switch between two sets of speakers is really all you need from a monitor controller. A monitor controller is more than a box with buttons. Your interface and it’s software, and or DAW software... You can purchase an inexpensive add on for the unbalanced part. See price @ Amazon The Senal PMC-II studio monitor controller is one of the best cheap studio monitor controllers around. I have different folddown options for each (5.1 to Stereo, 7.1 to 5.0, 7.1 to 5.1, 5.1 to LCR -- you can set up 14 of these) that can all be triggered at will independent of output path. I hear the DA is more pristine, which I assume would be more in line with my Prism DA in my ADA-8XR that I currently use to monitor in Pro Tools. Pros: + Has an 8” cone woofer and a 1” dome tweeter to provide you with the best quality sound. Accuracy is the most important thing you want from a studio monitor and this beast by Yamaha is all about accuracy. I had high hopes for the Heritage Audio RAM 2000. I own the avocet ii and it really is worth every penny ! Heritage Audio RAM System 2000 Desktop Monitoring System with Bluetooth | Sweetwater, Heritage Audio R.A.M. One of the best monitors of 2021 can boost your PC experience, there’s never been a better time to get one. Obviously that $3k controller is not made for you. It offers three pairs of monitor outputs, a dedicated mono output for subs and mono speakers as well as controls to switch among them. So I only need one sub out, which I would use for my Avantone. I use the mono and m/s mode a lot. In this article, we are going to analyze the very best 88 key MIDI controllers on the market. I was just in a mastering session last week with a Grammy award winning mastering engineer who unhooked his Avocet and is now using a Grace m905. Grace also has an m905 analog-only model with a nice remote at a slightly higher cost. Wow, I haven't seen that, thank you! He's asking for a solution, not a way to spend money... Or maybe this is where those with disposable income come to talk about the the newest gear porn to waste it on. I have the Grace m905 - It's sounds great... well it doesn't sound like anything, which is great. The M-Patch 2 offers passive volume attenuation of up to two line-level sources and can direct the … I really love the sound quality of the monitor section in my MTX V1. Our reviewer Arthur Stone checks out the imposing Audiolinear AXIS Monitor Controller! What I did that helped was to download the owners manuals to the ones I was considering and walk through the functions I knew I would need. The Yamaha HS8 Studio Monitor is one of the very best studio monitors made by one of the best companies in the music gear business. I'm very happy with it, and psyched that they introduced the new remote. CCTV Tester Monitor 5.0 Inch Wrist Coaxial 4-in-1 Camera Tester 8MP 5MP 1080P AHD/ TVI / CVI /CVBS Analog Tester Monitor Support Video Test/ PTZ Control/12V Power Output 5.0 out of … Colin has designed the A-Mon as a analog Stereo / 5.1 / 7.1 monitor controller for use with his TMC-1 remote. Read the full @ Gearslutz: https://goo.gl/YtUnPC. Best monitor controller I've owned, and I've owned several high end ones. You also gain the ability to record via Wi-Fi or using … So to help you understand their differences, in this post we’ll examine the 6 best systems currently on the market and see just how they stack up. Has anybody had the chance to compare their sound quality? Pro audio forum Gearslutz is facing pressure from a Change.org petition to change its name. It came out a couple of weeks ago, and it's the reason I'm seriously considering the Satori. The site will operate as usual, only the domain name and logo will change. Also, I was a little skeptical but the Grace's headphone X-feed function works. At the time purchasing mine, I also looked at the Grace thing but at that time I needed 3 pairs of monitors and the Grace only offered 2. That's why I didn't consider it. Quick answer: the Yamaha HS5 and KRK G4 speakers offers the best value for money, while the Mackie CR Series CR3 the cheapest you can get without without compromising on quality.. Let me add a few comments about the AX32 and Pro Mon solution based on our experiences so far. I have the Dangerous Monitor ST with DAC-ST expansion but I am strongly considering the Grace 905. Very happy avocet user here...I'd like to try V2 but haven't had a chance, mostly interested in the differences of the DAC quality...Anyway, I have tried the Dangerous thingie and it's nice...Didn't find it any better or worse than the Aocet (at least for things I do). Zero latency control affects monitor output With high-quality Onyx mic pres, balanced analogue connectivity and operation up to 24-bit/192kHz, the bus-powered Onyx Producer 2.2 audio interface is more than capable of getting clean signals in and out of your DAW. I purchased the SPL 2381 monitor control not long after I took delivery of my Pro Tools HDX rig in 2012. The KRK ROKIT 5 comes loaded with an innovative Class AB amplifier pushing a 5″ composite woofer (30 watts) and 1″ soft-dome tweeter (20 watts), providing you with the high-headroom, low-distortion performance you need to hear the hidden details of your mix. For that reason a separate monitor controller might still be worth investigating. I'll be honest, the MOM does not make sense to me. It looks pretty basic and I do like the display on the Grace but you know what your needs are. Gearslutz founder Jules Standen initially rejected the petition, stating that “The name was, and still is, not intended to send a derogatory message to women or to discourage them from participating in the forum. I have multiple monitoring paths that can operate separately and all can be on or off and have different input sources (whether switched between inputs or summed per output.) If you want the best studio-quality tools in an easy-to-use interface, this is a good DAW controller for you. I'm on topic. I can't imagine anything being much more transparent than the dangerous monitor st. The PreSonus StudioLive 32.4.2AI has 32 channels and onboard DSP with Active Integration. The Palmer Monicon XL is an active monitor controller with a bevy of connection points to suit pro-level studios. $1200 for a controller (and that's all it is) that still leaves a certain amount of guessing to is bonkers. The MONITOR2USB gets you off your knees and puts VCA-controlled Volume, Source selection, Phones and Monitor control right at your fingertips. If you can't afford it, or see it as a waste for what you do, that's fine. I did my research and compared it to the other top contenders: Crane Song Avocet II, Dangerous ST. Another happy Avocet (V2) user here. Installed one two weeks ago and I really like the way it sounds and works. Getting second best or some piece of crap with tons of noise in it won't cut it. I'd prefer any of these, but without a DAC integrated. Monitor controllers, Dangerous Convert-2 vs Crane Song Solaris, Antelope Announces Orion32 HD with digiport & USB3. Gearslutz.com LTD - UK Company Number 7597610 (England & Wales). Checking into this! The Fireface UCX can be connected to via USB 2.0, 3.0, and FireWire 400, and is … Did you get to try the m905 before returning it so you could compare with the Avocet? First up… 1. Obviously that $3k controller is not made for you. Good luck! So the Grace would be fine, as would the others you mentioned. A Change.org petition is gathering momentum with over 4000 signatures. Actually, the Satori has a very nice controller. They can also custom build for you. Monitor Controller and USB Audio Interface, with 2 Mic Preamps, 3 Selectable Stereo Inputs, 2 Selectable Stereo Outputs, and Talkback $249.99. KRK monitors are incredibly popular — you can spot their distinctive yellow woofers in studios all over the world. “We have not yet decided what it will be but we can assure you that the new name will be more inclusive, and will stand the test of time. In this guide we’ll take a look at some the best studio monitor speakers for recording, mixing, and mastering in the home studio. I can't hear any difference between the direct outputs of my Neve 8816, and those outputs going through the Satori (Which I can't say for the previous monitor controller I was using). A universal L/R plus MONO/DIFF monitor control and Balance/Correlation metering plug-in for stereo bus masters. The Rupert Neve Designs 5059 Satellite is probably the best summing mixer hardware you can get right now for the money. The M-Patch 2, however, is a passive device, so should be transparent. Finding the best budget monitor speakers for your recording-studio doesn't have to be difficult. You don’t typically need all 88 keys for a controller, however, I prefer to have all 88 keys myself. So in my case I have a 7.1 out, a 5.1 out, a stereo out to different monitoring systems. Any GSers have any feedback on "Your interface and it’s software, and or DAW software... You can purchase an inexpensive add on for the unbalanced part.". Did you have a chance to compare the sound of the Grace vs. the Satori? I'm not a fan of D-Sub and I like the idea of the digital readout on the remote. Buy something you need and can afford. A few even include some less obvious secondary functions such as analogue summing, so if this is an avenue you're keen … But once you start comparing options, it quickly becomes apparent that the “ best option ” is anything but obvious. If something works for you in the market, go for it. It costs twice as much as the other great choices on this list, but it also has the highest praise, with generally more channels for summing. Registered Office - Suite 19, Maple Court, Grove Park, Maidenhead, Berkshire SL6 3LW. Pros. I'd personally rather just have a seperate no frills but high quality DAC. In my case, I'm running my Unity Audio Rock monitors out of my sub, which does the high-pass to the Rocks. Which is why the team at Music Critic reviewed the top studio monitors … Its compact design gets straight to the point and avoids any confusing labels. So a monitor management system is needed as well. I have had a Satori for a few months now and am very happy with it. It's not sext or expensive, but a mute button and outputs, doesn't need to cost 3K. “Gearslutz will be changing its name”, Standen states on a thread. Using feedback from existing TMC-1 customers, the A-Mon is a full studio monitor system that incorporates some unique features including re-assigning the rear surround to side surround when switching from 7.1 to 5.1 with surround level correction. Some of us actually use expensive equipment for work, or has that not crossed your mind? I'm sure the Grace is amazing. What is the best monitor controller on the market? Buy something you need and can afford. These two seem to be the least expensive monitor controllers with relay-controlled analog volume and 4 monitor outs. Getting second best or some piece of crap with tons of noise in it won't cut it. In Canada, the price for the SoundSkulptor MC624 (assembled) is in the same ball park as the Antelope Satori. check out the SoundSkulptor MC624. The MC624 has all the features I'm looking for, as does the Satori. Out of the Dangerous Monitor ST, Grace m905 and Avocet - I think the gear'slutiest' is the Dangerous since it offers so much / is flexible in so many situations. That’s where passive solutions like the Heritage Audio Baby RAM come in. So I waited about 3 or 4 weeks for my order and have been very happy with the IIA for 6 or 7 months now. The SoundsKulptor is a very sensible approach to monitoring as is a very good use of 'minimalism' in the number of amplifiers used while addressing a major disadvantage of 'passive' monitor control. The Digi 003 was a great audio interface with a really nice, if maybe a little basic, monitor control section. I have multiple input sources (can't even remember if there's a limit to this) with some AES multichannel, some analogue, some ProTools HDX, some MADI (and maybe in the future I'll send stuff to the Dante input.) My HD-600's definitely sound more like monitor imaging with X-feed turned on, instead of the normal hyper width headphone experience. At the time of writing, the petition had over 4,200 signatures, 1,500 of which it gained over … Ok awesome, it's great that they came out with a controller, it really needed one! Incredible Piece of gear imho! When you buy products through links across our site, we may earn an affiliate commission. The JBL M-Patch 2 is a passive stereo controller and switch box that is well suited for audio engineers, mastering studios, broadcast applications, project studios, and more. If you can't afford it, or see it as a waste for what you do, that's fine. Each stereo output has trim offsets, so you can better gain-match each set of speakers for comparison. There are pics in the new products forum. It may be a great fit for me. Even the type of connections on the back was something I factored in. In terms of cost, the Antelope Satori is the least expensive yet still having all the features I would like. I've been through a lot of monitoring devices including consoles. The onboard DSP offers incredible effects and latency-free processing with its dedicated EQ, dynamics, reverbs, and delays, all controlled within the integrated DSP monitor controller. Similarly, many premium monitor controllers offer digital-to-analogue audio conversion that rivals some of the best stand-alone devices available. Are we all just emulations of groupthink and gear porn pimps? I monitor my DAW master output via AES and feel that the representation from the Avocet DAC is just perfect. I use the antelope Satori....it would look nice with your Orion ...its sounds very good. I've had the Grace m905 Analog for a week and I can confidently say it is FANTASTIC!! If you need an input for a phone, sad, that easily remedied. 88 key MIDI controllers are meant for the musician who wants to have the freedom to play more. Surprised at this point that nobody mentioned Crookwood yet? When you buy products through links across our site, we may earn an affiliate commission. The whole system treats all inputs and outputs the same no matter what it is; there are no restrictions for making inputs into sources or outputs into speakers. Mammoth cave audio has some nice ones. Unless I'm missing something I didn't think the Satori has a controller. Crane Song seems to be building a new facility/studio, so maybe efforts there are causing some delays. AES LA: Antelope Satori Monitor Controller & Summing. Re the Avocet IIA, early in the year I was informed of delays caused by low factory supplies of chassis parts. It's true that affordable active monitor controllers can 'colour' the sound slightly, though I haven't personally used the Mackie Big Knob. We take Antelope’s latest mastering–grade converter and monitor controller for a spin. Steven, what is the difference between this and the monitor controller in the MTX V1? If you want something custom (any number of inputs digital or analog, any number of speakers, endless routing capabilities, use internal converter or any other you want and so on...) you can’t touch Crookwood. My previous Pro Tools system was a Digi 003 factory control surface/audio interface. 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